Have you lost their ways? There is no accountability for taste Exhibition

The analysis conducted by Jonathan Jones was what happened in Tate immediately (the masses of the masses, a critical crisis and the heights: What is the error that happened in Tate?, September 12). All unforgettable exhibitions this year were at the National Exhibition, the National Photo Exhibition, Wallace Group and the Royal Academy. Frankly, Tates had no single show for us since Peter DOIG (2008), lynette yiadom -bookye (2020), Frida Kahlo (2005), Richard Deacon and El Anatsui in 2016.

Global loved art, strange drawing are avoided in favor of performance nonsense, boring videos and hideous installations.
Ann Eastman
London

I was very frustrated by Jonathan Jones’s comments about the temporary Tate Liverpool house. Its description cannot be “feeling as if it was an abandoned structure with a completely angry act” more different from my usual modern experience on his visit to watch the exhibitions or to attend the children’s activity area (temporarily in Ripa North, Man Island).

The exhibitions were excellent, including Brickworks And 2025 Liverpool Biennial. The environment is colored and enhancing life, and all employees are always very good, useful and informed.
Suzan Box
Liverpool

Jonathan Jones offers some good points on the national relationship, especially in the matter of Tate Modern’s failure in a coherent history of the art of the twentieth century. However, Tate was right to make Liverpool its first regional project, because its founder Henry Tate made his wealth in Liverpool.

This national exhibition must be followed by the opening of a northern branch, for 42 paintings in Ludwig Monde National Repentance. Funds of chemical works were purchased in Monde in Lancchdire and Chicheer.

Al -Wataniya has just announced an extension of 375 million pounds in London; This money will be used to build a tuning extension in Liverpool or Manchester.

Brian Haton

London

Jonathan Jones’s criticism of exaggerated Tate. Tate Modern has recently installed a series of wonderful shows, including Yoko Ono and Mike Kelley, which opened new fields, rather than vibrant plowing of pastures for what is often-manipulates-“movies”.
Dick Ellis
Dreamer