A lot of confusion about Kane: Barbie pattern star still makes men’s fashion Men’s fashion
forENEDICK in a dazzling belt and Sparkley shoes, Claudio wears packed golden clothes. It may be a lot of confusion about anything more than 400 years, but Jimmy Lloyd is currently in West End in London, cultivating a lot in the modern era. Contemporary modernization key? Fashion, which looks as if they were directly extracted from the red carpet in Hollywood.
Recently, men’s clothes tended to a new, enjoyable era. The gentle black tux is outside. In their place? Everything from severe chiffon shirts to sparkling jewelry. Barbie’s box office may approach the box office at Greta Gerwig, in which Ryan Gosling bowed in his character Himbo Ken on the screen and outside, but its effect is still hesitant in men’s clothes. Nobody, from Jeff Goldlib, 72, to Timomit from General Z, can resist. Even at the BAFTA Awards for this year, it is usually a more restricted rug, a dazzling brooch was a key element in men’s clothing.
Now the effect of Kenification to a play.
Soutra Gilmour, the fashion and designer of the clothes of a lot of confusion about nothing, at the Royal Drury Lane theater, says she has started looking at how men’s clothes have evolved over the past two years. “It has been transferred away from these huge huge shapes and instead it became more aware of the body,” she says. “The fabrics and textures were also high.”
“Evidence indicates that the original Shakespeare fans would also witness their actors” wearing fashion today “.
Gilmour started getting the staff to try different types of clothes. “On the stage, you really don’t look at clothes.” “You look at the person. Their bodies are a tool, so you need to wear it in a way that raises it instead of blurring it.”
Gilmour and Tom Hiddlesson (which plays the role of Pordek) decided the character of the character of the character and the traceable shirts of the knife because it looks “like the second skin”. “This is receding his body while he is still allowed to move,” says Gilmour.
The giant screaming fold for the shirt was chosen to attract attention to his face. But it is the sparkling belt that is added to give the appearance “more than the quality of the dream of fever” that steals the lights shining and the body’s wraps through the stage. Hiddlesson tends to the aesthetic of peacocks, and the absolute value of the value as it declares.
Gilmore also wanted to challenge gender compatibility rules. “I didn’t want to stumble on whether people were wearing male or female clothes,” she says. “It’s something I have been doing for a long time. It’s a continuous conversation, thinking about masculinity and femininity and what these terms already mean.”
The result? King Don Pedro (which Gerald Kid plays) wears a hot pink look, including a silk blouse that is not preserved on the navel. Don John (Tim Stud) resides the fall of the hero (Mara Hove) in the flowers and pearls, and at one stage, Porchio appears cunning (Mika Unix Johnson) in a full pink fur coat.
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Escolme says it is exciting to see the culture of the red carpet today, which indicates the play “explicitly concerned with appearances and superficial rulings.”
The most softened clothing options for Hiddleston and others deliberately contradict what the actors wear. Beatrice (Haley Atwell) and Hero wear a tall shoe while Beatrice’s suit has a large shoulder platform.
I wanted women to occupy physical space. “I think it is interesting to reduce the presence of men and determine the physical existence of and raise a woman,” says Gilmour.
She adds that part of Shakespeare’s permanent attraction is his modern thinking. Four hundred years later, she still feels related. Fashion always tells a story. From sex to class there is a lot of policy about clothes. “