In “Bridget Jones: Mad in The Boy”, the screen icon takes a new bed – Grief

For 24 years, viewers all over the world have been fond of Bridget Jones nervousness. She is every woman, and she is a picture of Klutzy heart accidents that look like a mirror more than one image. Even before the first input in the film concession, “Bridge Jones Diaries”, theaters struck in 2001, and readers were magicing the character when it appeared in the Helen Fielding column to the point that the satire did not completely connect. Yes, Bridge was very focused on marriage, men, calories and sex to be the perfect photography of a modern woman looking to liberate in the new millennium, and those concerns that surpassed it were the ones that the field launched to Lambon. However, the Bridget Bridge Harb of Bridget is still a tendon in people trying to balance new modernity with the withdrawal of romantic desire. When Fielding turned the column into a book, it was an immediate hit.

The series of films, the Renée Zellweger starring in the artistic role, makes Nidal Bridge among the ideas behind the female self -hate and its bold pursuit of love is more acceptable to the ordinary viewer. But although they take a more standard romantic comic approach to the character, the films have become essential for cinema for countless viewers, who still see layers of themselves at countless weaknesses of Bridge, especially as they get older. This is the scarcity of “Bridge Jones” movies-what started as a lot of ROM-Com, which turned into an intimate record of love and loss for decades. The masses grew up with Bridge, aging alongside her, hitting the same standards in marriage, children, death, wrinkles and wrinkles. Others, like me, came to Bridge when they were very young so that they did not see Randy, the ranked romantic r, and found themselves trapped in the same problems over the years.

Now, “Bridge Jones” has returned with the fourth movie in the Bridge Jones series: madness for the boy. All the familiar players appear in the concession, but now, Bridge has exceeded her payment and great withdrawal, Mark Darcy (Colin Verth) and Daniel Clever (Hugh Grant). However, this does not mean that no one does not completely come out of her life, at least not exactly. Daniel Bocksits Bridget and Mark’s Kids, Billy (Casper Knopf) and Mabel (MILA JANKOVIC), while Mark is now a memory held in the heart of Bridge after his tragic death in the car’s wreck. Now, four years after being a widow, Bridget’s mind has no space for the trivial things that were related to it one day.

But for director Michael Morris, this stage in Bridge’s life presented a unique opportunity to present a new flavor to a long -term chain. “Helen Fielding, almost off the cuff, said,” Matt Mark Dressi is in this. “” He immediately came to life for me that this is the comedy of sadness. “The viewers who mature along with Bridget may notice that the film provides different types of The rest of the premiums. Morris turns the page into a beautiful new chapter for Bridget, as it goes beyond the community flirting, allowing Bridget Jones to stand alone for the first time.

To bring this era from Bridge’s story to life, Morris assumed the arduous task of directing the latest “Bridge Jones” away from the secret comedy in which films were founded on something completely new for the series. While “Mad About the Boy” contains classic ROM-Com items and all the privacy fans that Bridget loves, the film transmits to drama more than the privilege ever. Bridge options are not only related to what she wants, as she relates to what her young children need. The woman who was once occupied by herself forgot to forget her self -interest to ensure that Maple and Billy have the stability of their childhood. But in strengthening stability for others, Bridge finds herself stuck in her grief.

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With the stability of the film in this new rhythm, the script book, Abi Morgan, Dan Mazar, and the original Bridge book, moved on the stagnation of the character, while Morris plays the idea of ​​memory and how to bleed in one’s life during their grief. Bridge can still feel Mark throughout their apartment in London; Even when she tries to escape from him to spend a night outside, the memory of how she feels a party with him is back. For years, Bridge is eager for love to make her life ideal, and plays the role of a friend, mistress and brutal sex. But now, she realizes that all these titles left them very not ready for a role that she never thought of-the widow.

For Morris, whose first “Leslie” took over the 2023 Oscar by the storm when Grassroots Industry Buzz from the award season, this version of “Bridget Jones” was a next natural step. He saw “Leslie”, Andrea Retoro’s character, dealing with similar repercussions, reeling from winning literally with a lot of life to everything in it. It was a movie that focuses on a non -written journey for women towards recovery, and the era of “Bridge Jones” Zilloger sees a zigy road similar to what is waiting at the end of the road.

Director Michael Morris and René Zilloger in the role of Bridge Jones behind the scenes in “Bridge Jones: madness for the boy” (Jay Midmont/Universal Bectsterers)“On his face, [‘Mad About the Boy’] Morris, a film completely different from a movie different from “Leslie”, is laughing at jumping from what is called famous celebrities.A small heart movieTo the huge “Bridge Jones” privilege. But in reality, you can get rid of the surface, and here we go with a strong magnetic woman, in everything, a great actress plays, the heart of the movie. She has one way to live her life in the beginning, and she is not necessarily the healthiest way, but this is what she does [to cope]. Throughout the movie, she forced to make the most difficult moves she could make, sometimes against her will, to turn her life and direct her forward. “

One of these difficult movements is to dip its finger again in the dating gathering – and in fact, the movie “Bridge Jones” will not be without some romantic adventures. But just like Bridget, she entered a stage of her life that she did not prepare yet, as she also fell into a case of the world that she never expected. Every preferred angry person is slapping in the middle of the universe governed by technology. One may imagine that Bridge, who has always been facing herself in a problem with flirting with real life, would make many texts on the text. But unidentified communication shows that it is a gift from God for a woman who cannot even bring herself out of her pajamas on most days.

Do not need Bridge’s mistakes, there are many opportunities for her to embarrass herself. One of these opportunities is a realistic summary meeting with a handsome general Parks employee called Roxster (Leo Woodall), which helps Bridget from a tree after an attempt to save her children as if they were powerless cats. The meeting is quickly moved to Tinder, and although Roxster was a few years old, Bridge can only fall for him – especially since he already saw all its unaware angles while clinging to the old oak in the garden.

However, the new technology offers its unique obstacles. Morris imagines the Nidal Bridget for adaptation as the latest play for excellence in her classic comedy of morals. “The films revolve around the way we move across the world with people against us, and the dating technology that is now part of our lives is another series in this arc,” he says. In 2025, Bridge has to deal with Tinder, Ghosting and permanent scramble to choose any expressive expression in the text – but without taking a long time to make a decision, fearing the message appears exaggerated. For excessive ideas like Bridget Jones, text messages are all enjoyable and games until they turn into a battle of love of love.

René Zilloiger in the role of Bridge Jones, Leo Woodal in the role of Roxter and director Michael Morris behind the scenes in “Bridge Jones: madness for the boy” (Jay Midmont/Universal Pictures)This is far from “Bridge Jones Diaries”, a movie that was released when most viewers did not have a mobile phone. Now, most of the new romances are falsified digitally by simply scrolling. Watching a world -like character like Bridget Jones enter the dating field online is difficult, yes, but the fact that we are doing it at all is what makes the movie exceptional in a unique way.

“I celebrate it widely,” said Morris about the longevity of the franchise. “I cannot find a group of 24 -year -old films about the life of a woman who lives in a city. That’s everything. It is not a woman turning into an animal, or a woman flying. A woman who lives her life – this is really experimental when he retracts it!” The director also attributes To zellweger with the endurance chain, describing it as one of the few actors who are also physically physical. In fact, it is the performance of Zellweger that made Bridge Jones in such a symbol. It is expressive and flexible enough for viewers to drop themselves on the character. In the movie “Mad About

But after years of watching Bridget Jones Crawl London in search of the perfect suitor, it turned out that she has only one ideal companion; She has dozens. Her parents with anxiety are equal, and her circle near her frank friends, her lovers, and most importantly, her children bring her the comfort that she has been looking for for a long time. It is the intimate friendship that distinguishes Morris from other installments, and therefore, what makes it very special. “Bridge allowed people,” Morris says of the personality. This feeling is that it is seen, so the movie is really important. In this version, the world is different, which is more difficult. The film realizes that, and Bridget passes more emotionally than it was ever. ”

The emotional rhythms of the film works better than this comedy. The fourth movie “Bridget Jones” gets my existence, and overcomes things in the past to face what we do with our love after we face the loss of the Earth. For a mother of two young children like Bridge, this means finding simple ways to connect something incredibly complicated.

But the “Bridget Jones” series has always been deceptive in making the complex feel friendly, and at the present time – when you feel impossible to think of even thinking about looking at the news, or even getting out of the bed – there is an urgent need that there is an urgent need for ability. This is not just the Levity viewers that he is looking for, it’s the society they need. Fielding pillar welcomed the readers in the chosen Bridite family by asking people to see themselves in Bridge’s fears and constraints. They fell for her because she felt more than one character, and the final sequence of “Bridget Jones: Mad in the Boy” confirms that friendship and fellowship are more important than any romantic love. “It is a celebration of her biological family and her chosen family.” Morris says. “If we feel that we are part of that family, we may feel some security and lifting forward.”

“Bridge has passed a lot,” he continues. “But it is here, and it is only where you need to be.”