Is Hollywood inspired by the CIA, or vice versa?

Langley, Virginia – At the headquarters of the Central Intelligence Agency, as well as the wious granite seal on the floor of its lobby and a wall sculpted in honor of the agency experts, experts work in the complex tasks of the Spycraft: arms trainers, computer engineers, virus scientists and nuclear scientists.

But there are also stories, make -up artists, theatrical specialties and ballet – Americans who may have never thought that their skills will coincide with the needs of a spy agency. However, the CIA thought otherwise.

Although he rarely gets the spotlight, there is a dizziness of talent between the first intelligence agency in the country and the entertainment industry, with inspiration and influence often in both directions.

The CIA officers told the Times, and they continue to cooperate with the entertainment giants to inspire the next generation of creative spies, and continue to cooperate with the entertainment giants to inspire the next generation of creative spies, that the agency targets professionals in the intersection of arts and technology for employment, and continue to cooperate with the entertainment giants to inspire the next generation of creative spies.

This month, the agency is a selling author for the New York Times in a young adult book studying the foundations of the CIA that was placed during World War II. Scenes were filmed by great coming films at its headquarters, which is a logistical achievement on the campus of intelligence in the outskirts of Virginia behind episodes of the security perimeter, where the officers wander around Bluetooth signals. You will return another famous TV series in Langley to film this fall.

But their cooperation has become much deeper than that, the officers said. The creative minds of Hollywood and the entertainment industry have always played a role in the CIA, as they have put smart solutions to their most vibrant problems, such as mastery of the art of disguise and harnessing the magician’s ability to deliver illusions. Indeed, in the fifties of the last century, a New York magician named John Mallowland secretly with the agency was contracted to write a guide for the Cold War spies on deception and deception.

The officers said these days, creative skills are more valuable than ever in this technically complex world.

“You are only limited to your imagination-do not give your own thoughts. “We are always looking for partners.”

A long -standing history

David McClaski, a former CIA analyst and author of the book “Damascus Station” and other spying, presented many theories about the reason for the agency’s interest in strengthening a strong relationship with Hollywood, describing it as a “two -way street”.

“There are certainly operating requests for spying,” said McClaski. “The exception may be for the base, but when it happens, it is convincing.”

He said it is easy to know why the leaders of the CIA’s interest in Hollywood, partly to form the agency’s impressions. “But their bread and butter work receives people to give secrets, and part of that approaches people in power.”

“Whenever I get close to Hollywood,” this is really interesting, “added McLuski.

Some of the most well -known tasks in the CIA – at least documented by the company’s rich agency’s history with Hollywood, including Kaber Al -Kindi, when the CIA agents as film staff to save six American diplomats in Tehran during the Iranian hostage crisis, will recognize the cinema pioneers as the ARGO plot.

“” Argo “was very far from the belief.” “It’s almost more Hollywood than Hollywood.”

The Canadian Kabir was inspired by Hollywood and relied on Hollywood talent. Customer Tony Mendez was a graphic artist before joining the agency and helping the task.

Another main player was John Chambers, makeup artist who gave the ears of the world Spuk on “Star Trek” and He won the Honorary Academy Award In order to do the two semiotics on the “Known of Apes”. He received the Intelligence Medal at the CIA for his work in the good rescue effort.

Just a few years ago, Howard Hughes, one of the richest men in the world and began in the media, films and space, agreed to work with the CIA to provide cover for efforts by the agency to raise a Soviet nuclear submarine immersed outside the Pacific Earth.

When the Hughes’ Glomar Explorer is deployed under the guise of mineral extraction, the CIA managed to save most of the branch before the times broke a story that blows its cover – “The story that sank our efforts”, in the language of the CIA.

Another mission has become a possible task thanks to a device invented by a professional photographer-a tool that later became an inspiration for a big scene in the movie “The Dark Knight”.

In Project Coldfeet, CIA agents who collect intelligence at a Soviet station that was built on an unstable ice sheet in the Arctic in the Arctic need a reliable extraction plan. But how can one capture an agent without landing on the ice?

The answer was “Skyhook”: Raise the balloons with a rope connected to a highly worn out of the sky. The CIA aircraft stalled the rope and carried the agent to safety.

In “The Dark Knight”, Batman is made Dramatic escape Spread the same type of Contrapting Bon.

“Super Spy”

The CIA leadership often says that admission to the agency is more difficult than accessing Harvard and Weil University combined. However, the agency still faces challenges in employing the type of talent that you are looking for-either in reaching those who have unconventional skills, or to persuade them that they should leave relatively safe and comfortable jobs for a secret life for public service.

It is not easy to manage the agency, especially with the family, CIA officials have admitted. Making a decision whether it is an appointment to share a true identity with their children a regular struggle. But Janil said that the CIA tells the potential recruits that there is a medium ground that does not require them to abandon their current lives.

“People do not have to leave their companies to help their country and work with the CIA,” Ganeille said. “People come here because they love their country and know they can make a change.”

Janelle is part of a team regularly with designs who want to photograph the agency or spies as much accurate.

“Some producers and directors continue to care about accurately, but they ultimately choose what will work for the film or the screening,” Ganel said.

It is also known that the CIA analysts leave the agency for opportunities in the entertainment industry, writing books and text programs that are based on their experiences – as long as they do not closely track these experiences.

Joe Wizberg, the writer and producer behind the TV series “The America” ​​and MCCLOSKEY, who works in a fifth novel focused on American and British intelligence, was part of the agency before launching their writing jobs. As graduates of the Central Intelligence Agency, they had to provide their work for review.

“There is a publication process and a full classification review,” said Brent.

“This process can be part of the noise:” It is completely literal in the black ink. ”

But it is much difficult for the non -fictional writers of novelists.

“There can be parts of Tradecraft, or a reference to assets, or people in the agency, which are not clear,” said McClaski. “But with the novels, it is not difficult to write in a way to get it through the review panel.”

As the studios may often repeat the same lies about the CIA, regardless of the number of times they are corrected. Officers and agents are not the same, for anyone. Regardless of the disappointment of hopes, as well as lovers of excitement in espionage, the majority of officers are not licensed or trained to carry weapons.

“There is one thing that makes a mistake that Hollywood is the idea that one of the officers is doing everything, when it is really a collective sport here.”

“Zero Dark Thirty”, an Oscar -winning movie released in 2012 on the search for al -Qaeda leader Osama bin Laden, has won widely, but some criticized him within the intelligence community because of the credit that one fictional analyst offered to follow.

McClosky sympathizes with the writer’s dilemma.

He said: “I cannot get 35 people in a team. From the point of view of telling stories, it doesn’t work,” admitting that little in the spy field is pictured accurately on the screen, although there are many former spies available to work as consultants.

“There is no shortage of sources to achieve this correctly,” he said. “The superhero spy – Jacques Rians and Jason Burns – is largely represented by Hollywood’s spying.”

However, the agency that glorifies it and dramatically hopes that Hollywood can maintain the transportation of the roaming door, and inspiring an inhuman talent to join its ranks.

“We have engineers, engineers, carpenters and people who worked in logistics services,” said Brent. “People may not realize the scope of the skills sets here at the CIA.”

As Canadian Caper showed, sometimes spycraft stagecraft requires. It can be the most required to complete the next task is ocean science or data extraction, but fashion design. Or maybe another ballet dancer.