It was postponed by Fires Jan

In December, the holiday party at the Comedy Club on the upper floor was full of talent including Craig Robinson and Dion Cole. The downtown site, and 250 stalls of capacity and skin, made that the second floor area looks like an intimate community center. The latest comedy place in Los Angeles was not yet welcomed by the audience, although January 16 was distinguished by the soft opening. The plans were postponed and re -evaluated after Palisades and Eaton fires.

After “Jordan Rock and Friends”, the fine opening opened on February 8, opened the upper floor of the doors to the public on March 5 with two offers sold from Rene VACA, a 28 -year -old virus comic from San Fernando Valley. (VACA will start to appear monthly.)

“The Happy Women’s Day for Women!” He went up to the dance audience well, played the keyboard and created Midliz his own songs combining “Edelweiss”, “Summer Love” and “LIVIN” on prayer “and” I want this in this way “and” Hot in Herre “. Blues.

During the era of Booker Sarah Milo, who led the discrimination engines after January fires, the revenues of all offers from Smile Big Smile benefit in the experiment and Sevasphere, a non -profit organization that deals with local homelessness and food insecurity.

The space on the upper floor is on an area of ​​6000 square feet in 1415 S. Los Angeles St. North 10 in the fashion area. There is a minimum of popcorn and popcorn slices at the present time, while expanding future plans to sell retail at the ground level and eat Italian food. Parking in the streets is free. There is a lot that he attended via 15th Street in 1501 S. Los Angeles is $ 8. Ticket information and club scheduling in TheuPSTAirSla.com.

The city center provides “youth, swimming”, as well as a more varied type of hollywood or Santa Monica collections in comedy places, says Milo.

The owner Sam Suleiman, a partner in the movement of the kinetic media, bought the building with a brown, says, “to make the fashion area modern.” Before upgrading the area of ​​the previous warehouses, he remembers that he was crowded with dusty storage boxes reaching metal beams. Wholesale business owners in the region, who are struggling with increasingly moving online clothing sales, are looking to reshape the area over the next decade.

“He is safe, he is changing, and it is certain that we are useful to take a look at him,” Suleiman says.

Garrett Morris maintained the “Saturday Night Live” member of his club in the city center in various locations from 2007 to closure during the epidemic. During the reign of the producer Abbey Londer (the Chief of Staff in Netflix is ​​a joke festival), the prominent Riot La Comedy festival continued in 2012-2017 in DTLA theaters and bars. Weekly and monthly shows continued to rotate in comedy -friendly settlement sites such as Crane’s Bar or Grand Central Market after birth, but the clubs have not historically tested their luck in the city center.

Diversity and discovery are among the priorities of Milo’s reservation on the upper floor. “Funny is funny. I don’t care what you look; are you funny?” She asks. It hopes that the upper floor will become well known for good programs regardless of night or squad. “I get the best than the best, but I will also give you the best.”

After “all the main clubs” have worked since 2007, and the team learned from the host to the administration, the Mello Comedic Live-PRODUCTWord has expanded all over the country to casting the country. The Mello Pivot Epidemia has been seen for enlargement and outdoor shows, including multiple locations in the city center. Enrique Salazar, who originally attended her at icon parties, met the death of Gabriel Egliesias and Joe Koy.

The hall department, the wall of the album wall, the backstage area, and another area outside the foundations, will be available for the comedy to benefit from it when registering podcasts and photographing projects.

“The stalled artists are creative,” said Salasar, director of the upper floor, who is an old warrior in Los Angeles clubs for more than 15 years. “Our space is their space for use whenever they want. We are just a land that stops in the course of their career.”

Hoping equal the talent of the upper floor with any productions from the Broadway Theater area, six blocks in the north, Suleiman envisioned the payment of more from each spot, and perhaps even the prices of current dual sites in the most firm Los Angeles clubs, with “the idea that the comedy should be able to do three or four sites per night around the city without a day job.”

Respecting the art of reserve in a direct preparation also guarantees the audience’s experiences very important. Especially when the disadvantaged masses live in the wake of destructive fires or political political turmoil, Milo says. “It is always a need for comedy, but it is definitely more than ever,” it confirms. “We can sit and be sad or angry and complain about the world, or you can just go out and laugh. Any escape required, I want our club is where people come to do so.”

Salazar echoes: “Laughing is very important for people. It is a great way to forget the issues and problems you face, especially in a world that seems very divided now. One thing we can all agree is the need to laugh together. Comedy gives you the opening to do so.”