James is the first -time bonus in Canny’s outputs
The “straight” paper from Scotland “is written by Gavin Payne, which tells the real spinning on which James’s bonus is based, and it is characterized by a quote from the saint of the patron of the working class, and Irvin Wales:” One of the most amazing dishes, high octane, and Haydouna, tales of our time. ” Story of Bain (Seamus McLean Ross) and his best colleague Billy Boyd (Samuel Botomli), who as Rap Dio Silippel n ‘brains, briefly at the Hip Hop Music Foundation in the United Kingdom in the belief that they were in California MCS instead of Dundee call center employees, more than that.
But although MCAVOY, the work of Archie Thomson and Elaine Gracie, the story in a familiar but effective narration, is not in any way worthy of the company. “California” may be less than a few octane levels than Payne, and in terms of directing, it somehow from Danny Boyle’s air conditioning with “Trainspott”, but MCAVOY is hardly out of the gate. Scenes of feeling out and unconfirmed. But in small areas of freedom, MCAVOY allows itself out of the main trend of familiar breach to the bow, there are few sharp holes and darker corners that indicate more film, and MCAVOY as a cinematic director, more than the eye in the beginning.
But first, what meets the eye: calm, socially embarrassing, and his most stable kick around the worn outs in Dunda with the funny friend of Billy, Mary (completely charming Lucy Halidai), and dreams of hip -hop. After a trip to London – “Where is the English language?” Mary eagerly eagerly warning – ends with ridicule and rejection, although the husband struck a largely ridiculous scheme.
With all Exec and mark, they move on an eloquent in a thick Dundy, why are not fake public American dialects and see to what extent can they get the same material? Editorial Editor to learn “American Speak” from movies and television, including a decent imitation of the Russians, “We were in a break!” From “Friends”. Now, Silibil N’brains has new characters to unleash the world of hip-hop, reassuring UK, who, in the person of the new director, Tessa (Rebekah Murrell), and veteran veteran Anthony Reed (MCAVOY), President of Neotone Records, is blown by the interface, faced Yo-Yo-Yo.
Billy, Mary and Javin takes the early success of Silibil N ‘Brains as a joyful joke, with Mary especially excited – from a distance – at the present time, at the height of duplication, the husband will reveal his true identities and expose the music industry for its shallow atrophy. But at that moment, in the form of a desirable appearance on MTV, it comes and goes, with Gavin, spoiling the whiff of the cocaine of the offered cocaine, and reaching the deal to reveal itself in the last second. Billy is reluctant to her, while Mary, who she was watching her in Scotland, was her disappointment like washing and continues to wait for her friends to capture her. Instead, Billy continues to cheat, and Gavin continues to double their fraud, which gives the second half of the film his humble momentum. A gambling of everything you want in the game of fame, always wins the house.
What viewers from other than the United Kingdom may not appreciate is that the story is specifically revealed during a period of British media when RP (“Received Pronunciation”) was leaking out of fashion with more youth radio, and regional dialects began to be accepted on a wider scale-a witness, for example, for example, which is illegal, which makes it, which makes it in a state of conflict. Focus on the health of the street level, perhaps contempt of Silibil N’s brains when they passed on their natural sounds.
But as much as the film drinks in the hypocrisy of the music industry, it completely explains the strange social murder. Gavin, in particular, reveals an unexpected evil line when it comes to protecting its new unstable position. It is a brave uncomfortable image, given that Bain itself retains an executive product, although it also indicates that a certain degree of abdominal is needed to make the real rough life look like it is entertaining. MCAVOY’s Smarts in the introduction of some of these unusual textures-as it was clarified in his vibrant photography of the head of stickers-while the main engine of his movie Chigs is gently emitting what can be in the future, working in the future, and works in the future.