“Jay Kelly” review: George Clooney as a movie star in the crisis
It is not an original idea to make a movie about a movie star. He thinks Notting Hill, Personal Guard, Tropic Thunder, American love, star, Birdman, once in Hollywood, Bowfinger. I can continue. The greatest movie I have ever seen was Joseph L. Mansuaq is brilliant Everything about Eve, Even if this is set on Broadway. I went out in the same year in which another masterpiece was determined in this industry, Billy Wilder Sunset Street, Which showed the dark side of Hollywood when they decided to accomplish with you. “These are the pictures you got small,” Norma Desmond pronounces after announcing that she is still “big”.
Both celebrate the seventy -fifth anniversary of this year, and in a noticeable way, despite their realization, as is the case when they were released. Eve To this day, the record for most Oscar nominations is still shared with 14, and six won sunset He had 11 nominations and won three, proving that Hollywood loved stories about her themselves.
I bet they will love Noah Bombash, Jay KellyWhich represents its first international show at the Venice Film Festival and the star of Mega George George Clooney, as the star of the movie Mega Jay Kelly, a man who sailed along a blind fame – so that he does not start on a personal journey to find himself in one way or another. The problem is that Jay made her so big early that he might have never known who is with the exception of the star’s character that the audience sees, and the characters he plays. but from Is Jay Kelly?
It is a story about identity and trying to solve things. With a scenario that changes a tone of light comic situations to influential drama (Baumbach Books Screenplay with Emily Mortimer, who also plays a small role),, Jay Kelly In different ways for me, you also remember some classics no For the actors, but the directors, at least in a spirit, because it made me think about the times of Felini 8 1/2 And Prestton Stuges’ Sublime Sullivan flights. However, this, in the competition in the Venice, is able to find his own identity in the type of film films, making it new, smart and completely welcome.
The opening of the film is appropriate to a large movie collection, and we soon discovered that intense dialogue is part of a scene, not a real life, even if we think it is for a moment. Kelly takes perfect, and they want to print, but in the first indication of insecurity, he asks to do this again. It is strange that Bombash also makes it film For an actor who asks to do this again, but in this case he is for him life He fears he missed. What is wrong?
Two events of this conscience occurred. His teacher, director Peter Schneider (Jim Broadbent), and an old friend on behalf of his first days, died, Timothy (Billy Crohop, Mumtaz), he just appeared in a reunion that begins friendly and soon cuts right to the chase. It turned out that the main test that Timothy obtained, which was unprecedented, was not well. Schneider, who was the film’s director, discovers Jay and asked him to read. All of this leads to the role of the role that started his career, and as it became clear, resentment by Timothy. We see this again in the memory sequence with exceptionally younger actors, Luis Bartridge and Charlie Row, who doubles Jay and Timothy, respectively.
Jay Kelly looks back a lot as he decides to get rid of his next movie and go to Europe on a whim to catch his younger daughter, Daisy (Grace Edwards), who is traveling with her boyfriend. When you are a tremendous star, the decision of life preserved at the present time is not easy, especially for his “team”, including his long -standing manager Ron (Adam Sandler) and the propaganda of Harry Liz (Laura Dern), who have no choice but to go with him.
The train sequence is brilliantly operated and removed while they are heading to Paris and after that in Italy, where he gets a honor in Tuscany, a honor that Ron rejected for him, but he is now used as a comfortable excuse to raise his life and everyone in it. The older woman’s portfolio was stolen on the train, Jay returns to his movie star and chases the perpetrator from the train and to a field, shows his credentials and issued some unintended addresses along the way.
Related: George Clooney praises Adam Sandler as “just some comic films” in “Jay Kelly”: “A really beautiful and wonderful actor”
It is a journey of self -discovery for a man who millions think they are already find out. Jay is actually a good man. He tried hard to be a father currently (Riley Kyu plays his eldest daughter), a good person for those closest to his EXES, and his amazing son (Stacy Kish appears in a fun veil) and more. All this leads to an extraordinary sequence in the Film Festival in honor of Kelly watching his cinematic life, undoubtedly wondering what he missed all the way. Clooney, watch a greeting ball actual Clooney Clips has doubled for the Kelly profession, performing some of the best acting screen in this scene, and for this issue in this movie, which provides a difficult role for a real modern movie to persuade him to play a real movie star.
Jay Kelly offers him much more than the surface of this man is the miracle of Bombash. Sandler is simply like the suffering of Ron, whose life is intertwined in Jay to the point that he must break and restore it for him His own identity. I know some ROON in this work, and Sandler is its screws. The same applies to Dern, who is fully persuaded as personal propaganda at the end of Watt. It is clear that it was about a few at the time. Among others in the big team, Patrick Wilson has an entertaining customer less than a star of Ron who accepts the honoring of the festival after Jay rejected it at first, and therefore it is now being frozen. Alba Rohrash also reward with some nice screen time here.
Linus Sandgren’s cinematography helps make this movie look great as you might hope, and. Nicholas Bretel delivers a crane music. Producers are Baumbash, Amy Pascal and David Heman.
address: Jay Kelly
festival: Venice (in competition)
distributor: Netflix
release date: November 14, 2025 (theaters); December 5 (flow)
exit: Noah Bombash
Screenplay: Noah Bombash and Emily Mortimer
Empty: George Clooney, Adam Sandler, Laura Dern, Jim Product, Patrick Wilson, Isla Fischer, Emily Mortimer, Alba Rohruhkh, Stacy Kish, Eve Hyousson, Billy Crodob, Grace Edwards, Riley Qio, Louis Cartridge, Charlie Row.