“Novocaine”: Jack Quid in a business comedy without weight

The “Novocaine” is a convincing argument that its leadership, Jack Quid, can do everything: woo the girl, shooting Goon and tickling the audience. The movie itself has more difficult time, as its three types prove so embarrassing that it tends to lame. It is directed by Dan Berk and Robert Olsen from the scenario of Lars Jacobson, it comes to the director of an assistant bank in San Diego called Nathan Kasab (with the lack of congenital pain of pain – a rare and realistic condition that a person cannot feel discounts, burns and broken bones. All the above injuries (and more) occur to two after being kidnapped at his workplace at ABER MIDTHUNDer by the bandits. It is not the mouse of the gym. It is simply ready to take any penalty to restore it.

How serious is that we take this hypothesis? Very, according to the terrible blood spots, the dramatic result known as pig and panic in the eyes of Midthunder. Also, not at all at all, as it was measured by the comic relief that was randomly installed on the plot, like a policeman played by Matt Walsh who holds that San Diego has gone to the seeds since “shakes and clips betrayed us.”

From torment lasts, the most difficult challenge is that the tone extends. It is charming Chipper while tearing it up to Maccha. “decent!” He insists, while a knife drowns through his hand. “It is good to go!” He says, sculpt a bullet from his arm with a box. Our hateful disappearance comes only from the sound design, which gives a horrific crushing to shock the medieval scepter that moves to the back of Nathan. (“Why?” Nathan sighs with discontent, as if it was just stuck in a red light.)

SLAPSTICK works, especially when Quaid is making Esque mixing with an arrow out of its thigh. But what succeeds is the opening action, and it is an independent, but honest romantic story that contains only a few scenes to convince us that Nathan’s chemistry with Sherry deserves to put himself through the meat mill. Nathan looks like a typical sad bag – a cheerful apartment, wearing hanging companies, and the front of anxiety – with its development that grew up to become terrified of everything, from Scalping itself in the bathroom to chewing his tongue by mistake. (Production designer Kara Lindstrom creates a life story of injuries by sticking to tennis balls on every sharp corner of his furniture.) At work, this isolated stranger shows sympathy for financial wines (Le Betty Junior), which is evidence that at least emotional pain. However, he was arrested away from the guards when the office advances with coffee (without Biggie) and then asks him to apologize lunch (Yixes).

Sherry comes very strong, we want her to examine her chronic Hollywood disease: Pixse Dreamligel obsession syndrome. To the conviction of the convincing Midthunder script and enthusiasm, Sherry has its own motives to make it work, including the need to adhere to weakness. We have a question that we hope you can answer: If Nathan does not feel pain, how can he feel pleasure? When Sherry stimulates him to take the first sting of solid foods, Code does the cherry pie what his realistic mother, Meg Ryan, once in a pasteramic sandwich. His eyes flutter in ecstasy. He is in love.

Even with the knowledge that this charming setting is ridiculous, it will take sharp, sharp in the blood and courage, the dramatic dramatic change still strikes us like a head kick. Once three thieves (Ray Nicholson, Conrad Kemp and Ivan Hingst) wander around at the Bank of Nathan and Sherry, and soon they kill four people, the film does not enjoy any other moments it deserves. Midthunder is particularly stolen. Perhaps the John Wake puppy.

Participants Burke and Olsen are spending the rest of the movie in an attempt to manufacture a spiritual supplement for “Kruk” by Jason Statham, which is the Whakadoo work in the end around a killer who pumps himself to survive (which only caused him, “Crank 2: High Voltage”).
Kwid does not have a biceps, but for my money, it does not need it. It has the perfect look for this movie. Fake and fixed in unusual places, it is half a turbine, half a man. Intelligence, the design of the trick dances does not put the protagonist as a great fighter. The moments do not come from his skills, but from what he wants to do to win: grind the glass in its grip, and holds a frying pan of the burning cast iron without gloves, drown his right hand in a deep frying pan until he stands out like Samosa. There are ears filled with a boiling pistol and shot. Visually, the violence is shot in close proximity. Horsplay could laugh the cartoon.

The camera receives itself in the high genes, and transports itself back and forth in the same rhythm as Nathan’s concussions. But it is fun to see it as it takes ill -treatment more than getting rid of it. When this beloved goes on the attack, the effect is similar to watching a rabbit with rabies. You just think that someone should take the poor to the doctor. (Meanwhile, the directors mistakenly believe that we will enjoy it more in a slow movement.) Even in the moments designed for chants, such as when Nathan destroys the slams of the shed for the bad person, you do not really want that suffering on his conscience.

This is why the best fighting scene involves psychological fighting. Nathan is deceived by the executioner to give him an additional time to find out the escape by going to the full rabbit, and pretending to fight to fight for his torture quickly. “Not a patch – please, not anchoring,” begged. Let me try it myself. Don’t put Quid in a romantic comedy – please, not a suitable romantic comedy.