“Real Housewives of Miaami” ReCAP, Season 7, Episode 13
If Marisol and Alexia want to put Stephanie in place, they must actually stand in her face and not to choose this aggressive negative strategy.
Photo: Bravo
This season was less than he is right or wrong in any argument and more about the tactics they use to fight each other. Just as Guri was completely right in her battle with Julia, especially after she was thrown on her, but the tactics that she used to spread Julia’s texts made her behavior not available to women. The same thing happens with Stephanie and her battle with Marisol and Alexia. (Marexia? Alessol?Green Roads Sector Eyes“Or”Frek and Fakka“?
The day begins that they are supposed to fly to Marbella for the afternoon so that Julia can only one question from her friends, Derek, the first to commit suicide in the world in the world, if he and his wife will be the godfathers of her new children. Julia broke her to the group that does not come Marxia. They told her that they needed a day to rest away from the group’s drama, but they were also concerned that Stephanie would leave them behind them in Marbella without any way to return home if they acted in a way that Stephanie did not like.
They send Stephanie a text message that they will not fly with it, but they say they need a crazy break. This is the problem with this tactic. First of all, they lie. Second, this is so aggressive that it pleads with the conflict. He prepares him even when Stephanie discovers that she will have to confront her, as this makes her look like a bad man when they are the ones who misbehave. In addition, when this confrontation occurs, they will have to discuss their lies, after which they will not appear only, vicious and average but also unintended.
This is all a trap that Stephanie enters as if Birkin was the size of the room. He starts on the bus on the way to the plane when Julia Stephanie tells that she is a little biopsy. “It is clear that you don’t think I am dominant if you are about to go to my plane to go,” Julia told Julia. This is exactly the problem. Stephanie believes that because she is generous, she can treat people as she loves, and if she accepts her generosity, she is an implicit approval of how she behaves, even when this generosity is used to control people. Julia describes it perfectly, saying: “You do not offer anything, then I referred to it in a chilling way.”
They are on the plane, and Stephanie decided to raise her eyes and transfer the party for a 22 -minute trip, $ 44,000. The shadows have been reduced, the Disco lights were flashing, and music was placed up to 11, although production may not be able to remove the song, so we only hear public dance paths. Now, if we see more Stephanie and less than the person who wants to set rules like a very alternative teacher, women may want it even without PJ. Even so, Stephanie Crescent Tille Alexia and Marisol, which they just want. But she believes that they do not enter the plane because it has a lot of rules about “Jet-quitte”, just as they have to take off their shoes and not scratch its seats. She is her plane, she can set the bases, but this is not the reason for their absence. The reason they are not there is that Stephanie uses the plane and threatens to take it away to try to tell women what they should and should not do. Given that her entire fighting with Alexia started when the Cuban Barbie tried to request it around, it should be more aware of that.
Stephanie says something I agree to: “[Marysol and Alexia] More interested in making me look bad to be here for Julia. “This is what I don’t like about this trick.
They go to Villa Mwana, named after Disney’s favorite movie Disney, and they have a beautiful dinner with a group of English homosexuals who look charming and rich. So much rich that Lisa should continue to talk about their richness, do rich things, and provide rich mustard and drink from rich psalms. You thought she had never lived in the house of a giant person on the island of a rich person in the town of a rich person. Everyone continues to demonstrate like this is the biggest day in Julia’s life, but Derek’s partner is neither even nor Martina. This does not seem like a big deal, frankly.
While she is in the villa, Julia is talking to Derek about how her two daughters do not talk to her and Martina at the present time because Julia has never told them that they are adopting two human children before these children were transferred to the house. Discussing this has been adhered to throughout the season, while I respect people’s families and that not everyone does things in the same way, this is completely strange. What do you mean Julia and Martina never mentioned her? They were like, “surprise, you have two new brothers!” This is not something that is bought on someone. This is something that is discussed, even the capabilities, before passing by all steps, Byzantine bureaucracy, and countless paper works. Yes, Julia says, perhaps this happened quickly, but they were unable to give these girls until the slightest presidents, not to mention allowing them some inputs in forming their family? I am sorry, this is strange, and I feel that we don’t get the full story.
Also in the villa, Adriana says she does not mean that she called Kiki “Racitt”, she meant to say “miserable”, and she abused her. I am all for Adriana who wants to modify it, and I am happy because it and Kiki have canceled their hostility by the end of the episode, but I don’t buy this for one second. The English language is not Adriana’s first language, but have you ever heard the chaos of this bad or wrong word? Adriana is mainly of the artificial intelligence that follows the doctorate in Harvard. She is a very smart woman. It will not make this error. Also, no one, including Adriana, will ever say, “Stop miserable”. This is brutal. I think Adriana made a mistake, and I thought she was nice saying “Ratchet”, she fully understood her effects, and she is now looking to go out without saying she was wrong. But she apologized, I think she does not mean any harm, and it has ended, so, Beef.
Once again in Seville, they all put on Flaminco dresses and head in the vehicles to the giant scene with a palace. It is time to surprise Stephanie’s birthday, the Flamnco band that sings “Happy Birthday” in Spanish. Fortunately, this strange man who sang to Alexia was placed on the first night in the music prison and we do not have to see him again. Stephanie is pleased with this surprise. What is the first thing you do? Her husband’s times, talk to him, and make him watch. I am sorry, but never do this to me. I don’t want to watch the loved video and the strange sound for a singing birthday surprise. Also, those are roaming minutes. I know she has a plane and everything, but AT & T does not get more my money. Just enjoy the moment with your friends. Lock it in your memory instead of ignoring it, so that you can be on your phone with your husband, who has better things to do it from not hearing the people who completely sing for you.
Stephanie was so influenced that Julia and Marisol arranged this for her birthday so that Marisol is now outside the hook because the plane was not made because she did something nice to Stephanie. Well, I got it. Then Stephanie Alexia withdraws aside and asks her what happened with the plane yesterday, while making sure that the Cuban pinky and the brain conspiracy come to its inevitable end. Alexia says that Marisol should in the conversation, because both decided not to go. This is another tactic. Like other friendship diodes that turn into alliances, they act as if they were constantly right because they always have a lieutenant to support them. They never have to stand alone in their decisions, so they feel justified forever even when they are wrong.
Stephanie asserts with Alexia that they were afraid that if they broke a base, you will leave them in Marbella. “What kind of human you think I am?” She asks Alexia. Or, the type that he said, several times, that if people do not behave, it will expel them from the plane and make them walk. They believe this kind of people that Stephanie said was. If you do not want them to think about it, she may not say that again and again and not to use the sites on her plane as if it were bribes. Then Stephanie says she wants to include everyone on the plane, and Alexia wanted people to start. Well, well, well, well, well. It needs backup copies. We all saw the footage. We all saw Stephanie, of blue, ask Larsa if she thought Lisa should be paved if she made her feel uncomfortable. Alexia and Marisol had no role in it. This is a conspiracy to hatch itself.
When Alexia starts and joins the largest group, Marisol reaches a point that Alexia was trying to make early in the argument: that Stephanie cannot control it. This is a battle for autonomy and domination. The problem is that Stephanie now calls Alexia a liar, but it is not clear what it is lying about. Stephanie Lisa told Alexia and Marisol not she wanted on board, but this is actually a lie. Stephanie, in some way, has the whole story twisted, and her recognition in Lisa and Larsa in each other like a plastic dog who tries to eat its tail. Suddenly, everyone cuts in the middle of this wonderful square in polka dresses, and nothing is progressing except for Gary and Kiki’s embarrassment that they have been assembled again with these harmonious and uncompromising.
The battle does not end as it is abandoned, with all women returning to the hotel and going to their separate locations. Stephanie and Larsa went to Stephanie’s room; Guerdy, Kiki, Marysol and Adriana Head (Where is the last?) To the tape; Julia, Alexia and Leza check the ceiling of the hotel. While they evaluate their battles and skirmishes, Julia, Alexia and Leza hear the noise of drums and smell smoke coming from the street. They walk on the edge of the balcony and see a funeral procession with crowds of people, priests, altar children, symbols and smells who are raised over the crowd. They see incense columns, after the windows, the past wings, heading towards clouds, in an attempt to find their way to heaven. They look down, and the eyes of the body in the coffin are looking. Their outlook meets in one way or another in the middle, joins each other, contradict each other, and the eye of the dead pleads through smoke, drums and crying for all women to release themselves into the universe, to integrate with everything around them, to collect what the little love and affection left for each other in something that cannot be prepared. But they will not do that, they will allow the procession to pass until it fails the drums at all echo.