Role on Shakespeare: ChatGPT is here

He sits at the Lincoln Center waiting for the curtain to Iyad, choose McNEAL– Production of an expected theater starring Robert Downey Junior, with a supportive role – I thought about how the playwright dealt with the effects of artificial intelligence for more than a century. In 1920 – before Alan Torring invented his famous test and contracts from the Dartmath Summer Conference in 1956, which gave artificial intelligence his name – a Czech theater writer named Karelk Rur – Rossom International Robots. This was not the first time that the word “robot” was employed, but čapek might qualify as the first domer of artificial intelligence, because his theatrical play in the Android uprising that slaughtered all humanity, except for one spirit.

Also on the panels in New York City this winter was the production of small black boxes called TormentDramatic veiled at the weekend where it gave the non -profit Openai plate Sam Altman, the shoe, just to see it returns after the employee rebellion.

None of these products did not have a pizza of the wonderful Broadway-perhaps later we will buy tickets to a musician where Altman and Elusk enjoyed dance-but they wrestle with the issues that are frequent in the Silicon Valley Conference halls, listening sessions in Congress, and drinking sessions in Late at night at the annual NeuPS conference. Artists behind these plays reveal a justified obsession on how to influence excellent artificial intelligence – or take over – the human creative process.

Torment Matthew Jasda, theatrical writer and screenwriter who works on zero on Zeitgeist. His previous plays included Dims SquareAbout jazz lovers in the city center, and ZoomersThe characters that are Gen-Z Brooklynites. Gasda tells me that when he read about Openai BlipHe saw it as an opportunity to take over a more heavy fare than the youth of New York. Altman’s expulsion and its ultimate restoration was specific. The two-year-old Gasda play is characterized by separate designers, one of which depicts the ALTMAN team in exile and the other focuses on the council-including real DOOMER, apparently on the view of Amnesty International ELIEZER YUDKOWSKY, and the capital of a greed project-as they realize that Their coup is due to the results of the opposite results. Both groups make many players about the risks, promise and ethics of artificial intelligence during the snipers about their predicament.

Not surprisingly, they do not reach anything like the solution. The first verb ends with a dramatic personality that takes footage of wine; In the second chapter, the characters escaped from mushrooms. When Gasda remembers that his characters seem to overcome the consequences of building artificial intelligence, he says this was intended. “If the play has a message, this is something like that.” He adds that there is a darker angle. “There are a lot of suggestions that the imaginary LLM is limited to its time and the treatment of characters. It is up to the masses to determine whether this is the total Hokum or whether this is real.” (((((Torment She is still working in Brooklyn Will Open in San Francisco In March.)

McNEALBroadway’s production with a cinematic star plays a famous role on the basis of Elon Musk, a more ambitious act, with clear screens calling for the project and outputs as if artificial intelligence is a personality. Yaqoub McKenil, a narcissistic novelist and an obstacle to the materials, who gains Nobel and loses his soul, and ends up to the most dangerous material ever – the temptation of immediate ingenuity from a large language model.

Both theatrical writer are concerned about the depth of artificial intelligence in the writing process. In an interview in the Atlantic Ocean, Akhtar, a Politzer winner, says that the hours of experimenting with LLMS helped him write a better play. It even gives Chatgpt the last craftsman. “It is a play on artificial intelligence,” he explains. “It makes sense that, for several months, I have finally obtained artificial intelligence to give me something I can use in the play.” Meanwhile, while Gasda gave dramatic credits to ChatGPT and Claud in Torment The program, as it worries that AI will steal his words, equal that to maintain their uniqueness, the human writers may return to paper to hide their work from artificial intelligence companies that thirst for content. He just ended a novel in 2040 “on a writer who sold all his works to artificial intelligence and has nothing to do.”