It is possible to enjoy a good bad movie, but it is impossible to watch a good actor who performs a bad performance and does not ask, “What were they thinking?” Or “How did this happen?” Good intentions can be terrible when stars make emotional projects or play a role that may seem appropriate to their talents, but in reality, misuse of them.
It is one thing that the actor is enjoyable in a fun way like Jeremy Irons in which he collides with the Jason Statham vehicle, “The Beekeper”, in early this year, but it is another thing for promising Jason Patrick to appear as a policeman in the last drama of human trafficking, “Dream City” . But these are not bad offers, but rather a talent that is dispelled.
There is nothing wrong with taking a big swing, just to excite, just as Green Close does, with camping in “salvation” in Lee Daniel. What is worse when an actor is completely thrown into a role – where Channing Tatum was in “Fly Me to The Moon” for this summer – to be just without magic like the movie in which it was.
These aforementioned perpetrators are still not less than the worst performances of the year in the films that deserve better. Here are the ten converging of this year through eight films.
Adam is a driver in “Megalopolis” (Lionsgate)
Many men cannot rise in the dream of crazy fever in Francis Ford Coppola to the material, perhaps because it is excessively ambitious. (Read: bad). As Cesar Katenina, the creator of Megalon, who can stop time, the total of the permanent driver cannot prevent viewers from laughing when he is divided into Shakespeare or breathes a demonstration dialogue like, “Do not now destroy forever”, “or guides Julia (Natalie Emmanuel ) To, “Return to Cluuuuub!” Labov, who plays the role of Cesar’s cousin, Claudio Bolcher. His question was, “What do you think of this Boner?” An arrow is fired at Clodio’s Behind (without accuracy there), in an attempt to back down from the Cloodio efforts to steal Hamilton’s money and its power.
Dakota Johnson in “Madame Web” (Sony Pictures)
No one goes to a supernatural movie. But when the movie is bad like “Madame Web”, one type of actors wants to become at least large if not a camp. Instead, Dakota Johnson is serious and painful – until she had dead when he arrived. As Casandra Web, the paramedic who is discovered after an experience close to death she can see the future, Johnson is completely empty. She turns her eyes to indicate that she is baffling her capabilities, but she feels as if she is asking for a trend. She talks about her lines, such as “I know this looks crazy, but I do not understand what is happening”, with zero emotion or reflection, as if it was not photographed. (Viewers will have the same experience as misunderstanding. It is a lazy feeling. Johnson, who was good at “Daddio”, outside this year, is going to perform in her performance here, and offers great yawning in a movie that will be sure to be cleaned in Razzzies.
Olivia Coleman in “Sony Pictures Classics”
Krsi! Olivia Coleman gives great, very bad and wide performance like Edith Swan, a pent -up disposal of hats – an endless chain of hidden and crude insults. Coleman exaggerates the shock of Edith in the wild behavior of her neighbor, Rose Juding (Jesse Bacqueli), who is claiming to send Missives the jam by poison. Edith is a destructive, arrogant, and even shameful because the messages are scandal over and over again, and Coleman depicts it in an appropriate pirate expression when its mouth is not severe or chased in terror. But the problem here is that Coleman is trying strongly. She was late to fain when Edith is insulted, and when Edith divides herself, the joy she gets from the matter feels that he is forced. What should be fun, or even funny, is a mistake as in the mouth. Everything that revolves around the bad behavior must be directed to Coleman, which is compensated and as a result, it is painful painfully.
Johnny Depp at “Jin de Bari” (vertical entertainment)
The biggest defect in this luxurious and starchy drama is towards the trick of Johnny Depp in the role of King Louis XV. Deeb, who appears swollen, disorganized and frightening, looks preferred to be anywhere other than presenting his performance on the screen only in the past few years. Louis has a more magic, charm, and sexual appeal because he lies to the deathbed that succumbs to the smallpox than he does in any other scene. He has zero chemistry with King Louis Ashika, Jin (Exit and Cowriter MaïWenn); Their relationship is a scandal, but Deeb looks bored, and this makes him boring. Their relationship appears to be anti -seduction. Make -up layers cannot hide his vacant eyes, which aim to express lust, depression and regret, but often transmit indifference. DEPP performance here is very low, his ownership has resigned more than RGAL.
Henry Cavill in “ARGYLLE” (Universal Pictures/Apple Films)
While many members of the acting team play dual roles in the super -comedy von comedy “Argylle”, Henry Cavill gets a double, such as the title spy, which is a fantastic copy of the imagination Bond, Cavill does not get much to do – and does not do much. It is a two -dimensional that passes the joke movements with a female competition or follow up in a mockery chase scene. It lacks VERVE and the nerve, which truly a negative performance in the role of movement. On the contrary, the changing ego, Aidan Wilde (Sam RockWell) has a lot of charisma, focusing on the hardness of Cavill here. At some point, ARGYLLE from Cavill says, “God was bad. The whole tone was parked.” Certainly, he must indicate his sub -performance.
Ed Screen at “Rebel Moon” (Netflix)
If the film is as good as its evil, the ED Skrein is one of the biggest reasons because the Zach Snyder spacecraft is very terrible. As the Admiral Admiral Etikos Noble, it is neither impressive nor noble. It is not particularly threatened when it threatens to “destroy the rebels once and forever.” Skrein aims to quietly evil, but it lacks the lack of attention that says, Malcolm Mcdowell, to this role. Moreover, it appears that it often imitates the “blue steel” from Zoolander, whether he is wearing clothes like Nazi Stormrooper or like Mormon. And when the Nobel is revived after the potential death, it appears that it is about to be EMCEE at the Kat Kat “Cabaret’s” instead of fighting the rebels. Skrein does not make a passion for no joy, even when he gets some victims to send. Skrein’s Baddie is simply when a chill is bodied.
Andrew Garfield in “We Live in Time” (A24)
Andrew Garfield’s attempt to try to rot into this arduous drama that shows different time periods in the life of the spouses, Alapot (Florence Bug) and Tubas (Garfield). It is properly mobilized because Almut has cancer, or as the memories of the past appear, it treats divorce. But lack of confidence in almost every scene withdraws this movie. Garfield speaks every line as if he was asking a question, which becomes exhausted, and not loved. Hesitation in his relationship with Almut unbearable. Tobias often swallows his anger, indifferently responding to discuss Hungary about treatment after its diagnosis; Or he feels frustrated when he wants to talk about children, or even when Tobias holds a liar. Garfield’s wooden performance is often regrettable to the position of Tobias, and more to waste the time of viewers.
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Kate Blanchett in “Borderlands” (Lionsgate)
As a fisherman from the exposure of the crimson, Kate Blanchett is rushed and throws punches, but does not escape or grip her well. The tremendous actress roams here, unable to communicate with thin letter or material. (It is based on a video game.) Lilith was appointed to restore Tiny Tina (Ariana Greenblatt), the daughter of Atlas (Edgar Ramirez), who was kidnapped and transferred to the planet Lile’s Home, Pandora. Lilith Bandura does not like the worst planet in the galaxy, but it should be its contempt for Elie Roth, who brought out this loud and busy bomb. Ruth does not show Blanchett well; She looks angry (you will be fans too) because she gets badly floundering with a modern modern robot called Claptra (Jack Black) or is annoyed by a bus driver who delivers it to a noisy point. When Lilith reluctantly collaborated with Roland (Kevin Hart), Crigig (Florian Montiano), Tannis (Jimmy Lee Cortis), the crew of the crew, leads to the mouths of monsters, collides with urine, and shoots them through a tool. Summer that makes her vomit. Blanchett raises her teeth and draws her eyes through all of this, but even when she reaches the late memories of her mother, or becomes authorized as the owner of Vaihok, she is boring and gloomy like unique effects that are often overpowered. It is difficult for Lilith or Blanchett to root because the movie and its performance are both.
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Dakota Johnson in “Madame Web” (Sony Pictures)
Olivia Coleman in “Sony Pictures Classics”
Johnny Depp at “Jin de Bari” (vertical entertainment)
Henry Cavill in “ARGYLLE” (Universal Pictures/Apple Films)
Ed Screen at “Rebel Moon” (Netflix)
Andrew Garfield in “We Live in Time” (A24)
Kate Blanchett in “Borderlands” (Lionsgate)