We all have anger now

In 2003, the revolutionary revolutionary Danny Boyle presented “28 days” the world to the anger virus, which is the causes of pathogens that afflict its host in seconds and turn it into an evil member, from the walking tribe. Once polluted, the host loses their soul and forgets their humanity. Every memory of its existence before erasing; The injured only know the anger and the zebra for the massacre. It looks familiar?

Even if you never watched the movie, or a complement in 2007, “After 28 weeks”, these symptoms may be made with a strange resonance. Whether it is going outside your door to seize some milk, running news, or returning to the same social media application that we know will not bring us anything but conflict, the modern alternative to the Rage virus faces us at every turn. Not only does the anger spread quickly, but it is already here, as it cannot be avoided and infectious like strange anger in the Boyle movie – only with less frequent bleeding. (Nevertheless, our contemporary copy is vulnerable to creating some chaos on a blood vessel or two.) Everything around us looks exactly;

Spike (Alfie Williams), ISLA (Jodie Comer) and Dr. Kelson (Ralph Fiennes) in “28 years”

In this privilege, the speed of change works in parallel with anger. Both move at the same speed, and have the same certainty, which is exactly the reason why the third movie is very expected in the series, “28 years old”, is horrific and very frightening at all. What seemed one day seems to be horrific now, which is the fact that Boyle – returns to the series after sitting continues – and script writer Alex Garland is completely aware, but he is not completely sure how to wrestle. Their Funose mirror looks less distorted than ever, as the audience shows a reflection that is still horrific and frustrated but it is no longer difficult to look at. The manufacture of the experimental films of Wilil enhances some of this missing tension, but “after 28 years” still feels paralyzing with the ways we try to stone ourselves from violence and anger daily, and becomes more sad than sadness than terrifying.

As its title suggests, “28 years” takes place nearly three decades after the outbreak of the initial anger virus. What was once in Great Britain is now the stone island, cut from the mainland and protected by an armed bridge that can only be reached during the low tide. There, Jimmy (Harun Taylor Johnson) and his son Spike (Alfi Williams) and his wife Isla (Judy Kumer) live in peace, along with a group of others who have returned to a large existence. There are no phones (lucky!), There is no radio, and the non -glorified society works together to provide education, social life and very primitive medicine, which left an island with an incorrectly diagnosed disease. When Spike is 12 years old, Jimmy takes him to the mainland, where the injured person roams freely – some crawling and crawl; Others are fast and strong-to know how to search and gather to provide the island. This, of course, where things begin in error.

Their short mission extends to the establishment of an overnight on the main righteousness when Jimmy and Spai are discovered by a group of alpha -zombies of the type of jogging, torture and the murderer. Although Spike gets a few solid practices kills in a slow -moving unifeta, his nerves get the best of it when it comes to the guns, which waste the shares that do not do more than Maim. The father and son team managed to escape and hide successfully, and approach their time until the tide is low and they can sneak home. But what Jimmy does not know is that the spike crashing cycle in modern life has already implanted confidence in his son, which encourages his inability when they finally return home. The duo only escaped narrow, extending from alpha in a heart chase sequence that includes a Bleper Training Photographer. But as it is afraid as it is, spike is not interested. And when ISLA begins to show increasing signs of decline, Spike escapes with his mother to the mainland to seek help from Dr. Kelson (Ralph Fiennes), a reservation that led his decision to stay on the mainland to rumors that are not crazy about him.

Infected with “28 years after” (Mia Mizono/Sony photos)

The problem of dipping your toe in the dark group of unrestricted anger is that its full water is horrific and wonderful. For everything the viewer knows, Spike never saw the real range of anger virus, he never tested the wrath of his victims. For him, it is almost similar to a video game – something that he had not heard before, given that most people have forgotten everything about PlayStation 2 at the moment the virus struck – where violence can be controlled and even somewhat patients. The curiosity of Spike is just an inherent part of its human nature, as Hurricane adrenaline is swept away by the survival of death near death and the desire for the experience that rushes again.

But anger is a bad, transformed and misleading drug like any virus. Garland’s text knocks on the ways in which anger turns into a more violent dissatisfaction with the film’s conclusion (which falls dramatically after it is over from the elderly), but in the movie “After 28 years”-the first movie in the movie The planned trilogy – It has just began to evaluate its effects. Spike is mainly changed in front of viewers ’eyes with each part of the brutality that it is witnessing or committing, and even the small moments of hope along the way are not enough to overcome the dark. This is true for real life and playing the script of Garland, which is greatly supported by Boyle’s stylistic ingenuity. Boyle’s guidelines and charming smart liberation are largely why the film can outperform its agreements in a coma. However, whether it is intentionally or not (and given his tendency to comment, I think it is intended), Garland asks some honest questions about how we can protect our mind and find joy in unworthy depression.

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Those who were not involved in the virus are quarry to maintain their vocal minds. Their heads are the level. They suffer from sadness and abuse, but not anger. But it is only half of life, not knowing the truth of the walls of their haven. Garland also reveals unexpectedly in the second verb, there is a world that extends beyond what Great Britain has been, a world that seems close to what we know today. Although this moment gives a little comic comfort, it is also a closer look at how an irresistible horror movie in the world is currently living in the world. Regardless of any aspect of the competing political gap on which we sit, anger stems from either side. Often, it seems that there is no return, neither antidote to purchase and no way to heal this virus. It is very fast, very infectious; The only difference is that, for us, anger is spread through X and Tiktok, in the same places that we inevitably merge with anyone else.

The quarantine ourselves is not a complete solution, but rather a temporary solution. But living in anger will kill our souls faster, and turns us into a zombie who does more than a little crawl, looking for the next piece of Clickbait to take it so that we can spread our virus. “After 28 years” does not make a great repair, because, unfortunately, there is no one. There is only a lot of descent and the spine that one can bear before their sense of fear is flattened. Destruction, chaos and hatred are so familiar scenes that they no longer contain the same amount of terrorism. Although the Optical method that Boyle’s indifferent is a sufficient reason to arrest “28 years” in the theater, it is far from the experience of destroying the Earth. Everything after that will be the same: the vibrant summer sun, people shouting on each other on the street and a set of notifications paid for bad news. Perhaps the quarantine is not such a bad solution after all.